Following 2010's 50th Anniversary celebrations, keeping up the momentum in 2011 was always going to be a tall order but how did Corrie do this year?

The year in Corrie has been dominated by comings, goings, rushed storylines and offscreen events. The previous year's Golden anniversary celebrations seems to have left everyone - actors, writers, producers - with an almighty hangover, one which contributed to a muddled and ultimately unsatisfactory year in Weatherfield.
With Vicky Entwistle, Beverley Callard, Helen Flanagan, Craig Gazey, Keith Duffy, Sacha Parkinson and Craig Charles all deciding to leave the show for various reasons and Steve Huison, Holly Quin-Ankrah, Will Thorp, Peter Armitage and Graeme Hawley all being given the push it seemed as if the writers were spending all of their time dreaming up ways for characters to leave Weatherfield instead of giving them interesting things to do while they were still there.
Some - Janice Battersby, Eddie Windass and Bill Webster - went with a whimper (can anyone actually even remember why Janice left?). Some were reintroduced just so they could leave (Ciaran) or had someone re-introduced to facilitate their departure - Jim McDonald comes back to rob a bank so Liz can leave. Others were given poor, ill thought-through storylines which appeared to have been hurriedly designed to play out before the expiration of the actor's contract. The Graeme Proctor/ Xin fake marriage was an appalling way to write out a much-liked character, as was the recent Sophie/ Amber non-affair non-plot, which saw the departure of Sian.
More welcome disappearances were those of John Stape and Cheryl and Chris Grey. Stape had long since become a woefully farcical figure, painted so irrecoverably into a corner that everyone who cares about the soap wanted to see him dead. After several years of increasingly stupid plotlines we only had to suffer one final year of kidnap, evasion, hiding, imitation and theft (not to mention a dull Fiz-in-prison plot) before Stape finally, mercifully pegged it. Adios, John it's been a pain.
When Craig Charles asked producers for time off to return to Red Dwarf they seized the opportunity to get rid of the street's most aggravating couple. Estranged husband and wife Chris and Cheryl Grey were always sketchily-written but as their parts grew it became apparent they were portrayed by actors with limited ability. Between them Holly Quin-Ankrah and Will Thorp only had 6 available acting traits (Her: sad, or happy with undertones of sad. Him: angry, evil or the same again with a shaved head) and these quickly became repetitive and wearisome. The cancer storyline that marked their departure's was equally dull, enlivened only by some surprisingly solid acting by Craig Charles - it'll be good to have him back.
Perhaps the most significant and deeply felt loss this year (aside from the sad passing of Betty Driver, obviously) is that of Katherine Kelly, not only because she is a fantastic actress and Becky was a great character but because her departure has been poorly handled. Having her lose Steve to Tracy Barlow was the right way to go but Katherine announced her decision to leave the cobbles so long ago that she seems to have been hanging round the street with nothing to do for months now. Barely a week goes by where she doesn't find another way to try and get back into Steve's life, cock it up and then make a dramatically epiphanous decision to leave Weatherfield forever before finding yet another reason to get back into Steve's life and begin the cycle again. We've seen a potentially explosive storyline smeared out into a dull one.
Conversely, some of 2011's other storylines appear to have been introduced and dropped with indecent haste. Audrey's cross-dressing fella Marc/ Marcia appeared, put on a frock and disappeared again before he had chance to get his lippy smudged. William Roache's son James arrived, opened a soup kitchen and then vanished with Kevin's scratch card dosh in a matter of minutes and Eileen found and lost a new man in less time than it took for him to free her head from the factory railings. Fireman Paul and his social-concern-of-the-week wife's introduction are typical of the policy for new character integration: bring them in, hook them up with a cast regular and immediately give them a personal issue to deal with. This happened with Audrey, Eileen and Tyrone, who's new squeeze Kirsty seems to be going from over-earnest copper to hurricane-scale bunny boiler pretty much overnight.
This haste to give new characters something to do becomes more pronounced when compared to arrivals that are allowed to successfully bed-in slowly. 2011 saw the smooth introduction of Roy's mum Sylvia (who's getting good after a shaky start), Stella, Karl and Eva in the Rovers (one terrible accent aside, all good new additions) and, perhaps the strangest 'new' cast member ever, Philip Lowrie as Dennis Tanner. Why he was brought back to the street after a 43 year absence is anyone's guess but he's gradually ingratiating himself into Rita's affections so at least she will have something more to do in the future.
Perhaps the most worrying aspect of street life this year has been the ongoing attempts by ITV to make as much money as possible from its most successful brand. The sight of a Nationwide cash point in Dev's shop marked the arrival of product placement in Weatherfield, although it seems utterly pointless. It would appear extremely unlikely that any viewer would suddenly want to open a building society account because they spotted a logo in the background of a scene; you can clearly see the logos on the fags and bog roll in Dev's shop already without them paying for the honour.
Much worse is the determination of ITV to force viewers to migrate from watching Corrie on the TV to viewing it online. 2011 saw a series of net-only 'webisodes' created in an attempt to convert loyal viewers into advertiser-friendly website hits. Heaven knows if it's working but there's no doubt of the negative affect this policy is having on the soap. Events are referred to in the main episodes which make no sense unless you watch the online content, this is simply annoying but more damaging is the apparent detrimental affect the extra workload is having on the writers and cast. Helen Flanagan is the first high profile casualty of the web push. Upon presenting herself for work after an extended sabbatical she was faced with an over-stuffed schedule consisting entirely of her taking her clothes off and appearing in terrible video diaries. She 'coincidentally' suffered a series of panic attacks which lead to her jumping ship almost within weeks of returning to our screens. The writers, too, appear over-worked, with the web episodes being extremely shoddily-written and the quality of the main programme consequently suffering. This isn't the writers' fault; it's the fault of the producers and ITV. Let's hope the channel leave Corrie alone in the New Year or they risk ruining their cash cow in the search for more money.
It's not all been bad, though. Roy, Hayley, Rita, Steve, Ken, Deidre, Eileen, Norris, Mary, Lloyd, Tina, Tyrone and new boy Tommy have all been good value. Julie and Brian are a terrific pairing and Sylvia Cropper is finally looking like she may well be a worthy replacement for Blanche. The Peter/ Carla/ Leanne story is settling into a solid long term plot and Dev has managed to go another year without doing anything, both of which are good things.
There have been good episodes as well, with Peter's single day/ full episode return to the booze being a particular stand-out and the two episodes featuring Norris locked in the toilets at Roy's Rolls were as funny as Corrie has ever been. Of the writers, Carmel Morgan and Jonathan Harvey deserve special recognition for supplying many of the year's best one-liners and the whole team deserve recognition for doing their best with the dodgy plots with which they are presented.
With a programme as long-running and beloved as Coronation Street an off year should merely be a minor blip, but so much of 2011 has felt like a sloppily-produced transitory period for Corrie that it seriously needs a year of consolidation to ensure it remains on-track. Two under-par years on the bounce could lead to panicky decisions and that's the last thing the show needs. Let's hope 2012 brings the show a bit more calm and a lot less frantic to-ing and fro-ing, for all our sakes.
Dave Lee
PS I know I've not mentioned Frank and rape once. Least said, soonest mended, I reckon.
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